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One of the most famous passages in Sartre’s Being and Nothingness (1943) is his phenomenological account of shame. But before writing the 650-page piece for which he is best known, he wrote a much briefer—and clearer—work, The Sketch for a Theory of the Emotions (1939). In this earlier book, Sartre describes emotions as a means of escaping the world when it becomes too difficult. Here he calls emotions ‘degradations of consciousness’ (E loc. 688, 700) and ‘magical transformations of the world’ (E loc. 757). In Being and Nothingness, by contrast, shame is presented as a means of ‘realization’, ‘recognition’, and even ‘discovery of an aspect of my being’ (BN, pp.245-6). This paper therefore asks whether Sartre’s phenomenology of shame presents it as an emotion, by his own definition of the term. The answer, it is argued, is no. This is important for the Sartre scholar—because many readers of Being and Nothingness assume that shame is an emotion. And it is important for philosophers of religion and students of atheism—because this conclusion opens up the possibility of reading the early Sartre as a phenomenologist of sin from a graceless position.